Thoughtful Music for Concentration
In the last edition of Focus Sounds, I mentioned electronic music was once a form of torture for me. Much like rap music for John McClane. Of course, I knew nothing. I still do, but at least I have widened my appreciation for different music. Nowadays finding just the right electronic music is often the key to facilitating focused work. Of all the sounds I turn to for getting work done, the most productive music is electronic. Recently I have been exploring the variety of sounds in Steve Hauschildt’s back catalogue. It has turned out to be a treasure trove of music for writing, reading and anything in between.
Hauschildt’s former band, Emeralds, produced a lot of atmospheric music of their own. The band was eclectic though, so perhaps more an acquired taste for creating a working environment. Nonetheless, if you’re disposed to minimalist electronic music for concentration, Hauschildt’s work is worth exploring, whether solo or otherwise.
Subtle Differences Between Music for Reading and Writing
I have more success finding music for writing than for reading. Especially if we’re talking about the intensely focused reading for academic work. Studying a text is as different to leisure reading as race walking is to rambling. To do it right the pacing is deliberate and careful. I envy anyone who can maintain the level of concentration required with lyrical content in the background.
My only option for concentrating is instrumental music, and even then the intangibles of cadence and tone require careful selection. Emeralds is a good example. I can happily write with Just to Feel Anything in the background, but when reading, the Casiotone arpeggios and distant rasping guitar is too much for my easily heckled attention.
Hauschildt seems to have slowed the tempo since the split from the band. A couple of post Emeralds albums have quickly become some of my favourite electronic music for reading. I find that both Where All Is Fled from 2015, and Strands of the following year can shape the right kind of atmosphere.
On the other hand, the most recent album Dissolvi has been better in my experience for writing. Dissolvi is supposedly minimal techno, whatever that means. I would hesitate to call it techno — then again that word is tainted for me by all those bell bottomed trippers I couldn’t avoid in the nineties. A couple of tracks include vocalists, but they are of the instrumental kind with no lyrical content. The subtlety of Hauschildt’s compositions make that work better than I would anticipate.
If Dissolvi doesn’t work for you, Hauschildt’s been prolific since the demise of Emeralds, and the variety in his former band’s discography is worth exploring in itself.